Birds of Prey is a breakup film. That is apparent from minute one when Harley Quinn (Margot Robbie, reprising her function from Suicide Squad) explains through an animated prologue her historical past as a psychiatrist who fell for Batman’s most infamous villain, Joker. (Twisted!) It breezes by the sophisticated collection of occasions that led to their abusive relationship coming to an finish. That’s the way you get the subtitle, written in Harley’s deliberately obnoxious voice: The Fantabulous Emancipation of One Harley Quinn.
However Birds of Prey isn’t nearly Harley’s breakup with Joker (who by no means seems exterior of that prologue and a pair of extraordinarily fast pictures the place he’s not fairly in body). It dumps every thing that’s now par for the course in superhero films: boring motion largely that includes males and computer systems, and tales about their stodgy tortured psyches. It’s very loud and completely gleeful concerning the mess it makes. And one way or the other, it pulls it off.
The film is supposed to look like a giant team-up between Quinn and several other different DC antiheroes, however in actuality, the story facilities itself squarely on Harley and the many individuals who need to take revenge on her now that she’s not beneath Joker’s safety. Chief amongst these grudge-bearers is Roman “Black Mask” Sionis (Ewan McGregor), a cartoonishly useless and possessive crime lord with eyes on increasing his nook of the Gotham Metropolis underworld. When Sionis catches as much as Quinn, the 2 strike a deal: he’ll spare her life if she will get a diamond with mob secrets and techniques etched into it for him. Since he plans to kill her anyway, Sionis additionally hires each bounty hunter in Gotham to get the diamond as effectively.
It’s by this treasure hunt that Birds of Prey introduces and brings collectively its essential gamers: Cassandra Cain (Ella Jay Basco) is a pickpocket who stumbles throughout the diamond, Helena “Huntress” Bertinelli (Mary Elizabeth Winstead) is an murderer after the diamond for private causes, Dinah “Black Canary” Lance (Jurnee Smollett-Bell) is an worker of Sionis who activates her boss, and Detective Renee Montoya (Rosie Perez) is the cop who’s piecing all of it collectively.
Sadly, the forged is launched through a nonlinear timeline that revisits the occasions of Harley’s first week post-breakup earlier than rewinding at key moments to clarify how every new face elements into the grand plot. Whereas it’s almost definitely meant to present the film a enjoyable, kinetic really feel — Birds of Prey would slightly die than pump the brakes on something — it largely highlights how skinny the plot is exterior of Harley. Each character and efficiency is vibrant and enjoyable, however few really feel fleshed out past Harley and Sionis. Whereas everyone seems to be nice, McGregor is the one actor who comes shut to Margot Robbie’s stage of vitality, gleefully throwing himself into the sleaziest efficiency he can presumably give. He’s a extremely flammable ball of misogynist grease, and you may’t wait to have somebody toss a match at his fairly mug.
The excellent news is that the film abandons this uneven construction roughly midway by, largely in favor of unmitigated mayhem. There are issues that may be grating about that — the film can not have a punch thrown with out a needle drop on a particularly on-the-nose track, and there’s method an excessive amount of slow-mo — however there’s way more to love when Birds of Prey goes full Chaos Queen.
This can be a superhero film that lastly offers a shit about how its motion appears to be like and isn’t thinking about relying solely on computer systems to present struggle scenes a pop of coloration. Nearly each huge struggle within the film is choreographed and staged in probably the most attention-grabbing method potential: pink and blue smoke fills the air, a grenade launcher fires glitter bombs, there’s a automotive chase on curler skates, and the film’s largest brawl is a giant sport of keep-away on a merry-go-round. Add that with Robbie’s super expertise for bodily comedy and each character having a definite character expressed through their combating fashion, and the film’s huge set items are among the many most enjoyable in fashionable superhero cinema.
There’s a largesse right here that, weirdly, hearkens again to Batman Eternally and Batman & Robin, films that envisioned Gotham Metropolis as a neon funhouse stuffed with the loudest-possible structure and even louder personalities. This can be a good factor. Positive, the film leans a bit of too arduous into Harley’s “Lisa Frank but with murder” schtick, however it’s way more preferable than the very secure and more and more stale Marvel Cinematic Universe. Something can occur, and Birds of Prey relishes within the havoc that means.
That manic vitality is all that’s holding Birds of Prey collectively at instances, and the truth that all of its characters appear to thrive in it makes it all of the extra disappointing that the film doesn’t actually take any time to get to know them higher. It’s virtually sufficient to derail the film, however at a brisk hour and 47 minutes of genuinely enjoyable spectacle, it’s arduous to carry an excessive amount of in opposition to it. Breakups are messy, however at their finest, they’re additionally cathartic as hell.